There is no question that earlier representations were racist and offensive. However she has provided the source for some famous art works during her rehabilitation. In 1963, Jeff Donaldson, later one of the founders of the AfriCOBRA art movement, revealed his confrontational interpretation in a battle – Aunt Jemima and the Pillsbury Doughboy.
This arguably is the first work where we have an empowered Aunt Jemima instead of an overweight mammy archetype.
In 1972 Betye Saar gave Aunt Jemima a rifle and a hand grenade in her famous assemblage The Liberation of Aunt Jemima.
In 1998 Renée Cox had her become a super hero figure in her collage The Liberation of Aunt Jemima and Uncle Ben.
In 2014 Kara Walker morphed the mammy stereotype into a powerful sphinx in her installation A Subtlety, or the Marvelous Sugar Baby, at the defunct Domino Sugar factory in Brooklyn.
There are no weapons or battles. The monumental size and historical meaning of a sphinx gives her power. The thumb of her left hand is in the figa sign which in some cultures is an obscene gesture and in many countries is a sign of refusal.
The Quaker Oats Company is still using the same image that was on the 1998 package in Renée Cox's collage. If Aunt Jemima is going to stay with us, she could use an updated image.
This blog was set up as a requirement for the digital photography class I took in 2009 at St. Louis Community College. The blog is linked to a photo storage site where the class assignments were posted. I immediately liked having a blog and started posting. I have taken film classes and posted some papers I wrote about films. In 2013 the web site Digital Media Journey was built. I have lately been taking art history classes. The image of the windmill below will link to my web site.
Wednesday, November 15, 2017
Restoring an old Photo
Eberly asked me if I would restore an old torn photograph of her grandfather testing the Grumman G-164 Ag Cat. The Ag Cat was the first agricultural aircraft designed and produced by a major U.S. company.
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